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嘿,亚马逊会员们,你们可以在亚马逊音乐上无广告地收听《美国历史讲述者》节目,今天就下载应用程序吧。
Imagine its early evening on Tuesday, May 31, 1921. It's hot here on the top floor of the Tulsa County Courthouse, but the metal bars of Dick Roland's jail cell door are cool in your hands as you swing at shot. You pull a heavy key ring from your pocket, flip through it and finding the right key, lock the teenager in the cell.
I don't know, boy. You just hang on tight tonight. No telling what'll happen in court, but you're safe up here that you would be out there.
我不知道,男孩。你今晚抓紧,不要放松。法庭上会发生什么事情还不确定,但在这里比在外面更安全。
As you turn to leave, you nod at one of the young guards position your buy. You step into the creaky elevator and head down to your office. Your head is pounding and the muscles in your neck are so tight they feel like they could snap. You rub your temples hoping to relieve the tension. The elevator rumbles down slowly, but you hear someone yelling before the door is even open.
Sheriff, you there, Sheriff. Man is charging towards you down the hallway. Behind them are two other men, they're all carrying guns and they smell like they've been drinking.
警长,您在那儿吗?有个人正在走廊向您冲过来。他身后还有两个人,他们都拿着枪,而且闻起来好像喝了酒。
You tense up. What can I help you with, sir?
您有点紧张。先生,我能为您提供什么帮助吗?
It's awful late to be at the courthouse. I think you know exactly what we want, Sheriff. We're looking for that boy. The one the tribute calls Diamond Dick.
I don't know what you're talking about, sir. And it's time for you to leave my courthouse. All of you.
我不知道您在说什么,先生。现在是您离开我的法院的时候了。所有的人都需要离开。
No, we don't have no intention of leaving without that boy.
不,我们绝不打算离开而不带上那个男孩。
You leave or I'll have you locked up. You're all strangers to me and you have any business here at this time of night. I know there's been some talk of lynching a Negro here tonight, but there won't be anything doing. Now get out of here.
The three men glare defiantly, but they turn around, open the courthouse door and sontry down the front steps. Following them, you're startled to see so many onlookers, while there could be 700, 800 people here.
The three ringleaders cross the street and get into a car and just sit there. That's it. Enough is enough. You stride to the car and lean in. Your anger is at a high pitch.
My boys, there isn't going to be a lynching here tonight if that's what you're looking for. You just as well go on home. Get away from here and stop this excitement.
我这里不会有私刑,伙计们,如果你们想找这种事情的话。你们还不如回家吧。离开这里,别制造这种骚乱。
Return and head back to the courthouse steps. One hand, prominently on the gun in your holster. You turn to the crowd.
回到法院的台阶上,一只手明显放在腰带里的枪上。你转向人群。
All right, all right. Now there's one thing you need to know and you need to hear it loud and clear. I will kill the next man who enters this courthouse. Now it would be an easy matter for you boys to kill me, but you still wouldn't get any further. My deputies are on instruction to kill any man who tries to get near the prisoner. Now go home. All of you before there's trouble.
You're going to get the crowd murmurs, some turn and begin to walk away. Others stay looking restive and angry, but you've said your piece and you mean it. You walk back up the courthouse steps into the limestone building, pulling the huge door shut behind you. It's going to be a long night.
Some wondering, I'm Lindsey Graham and this is American History Tellers, Our History, Your Story.
有些好奇,我是林赛·格雷厄姆,这里是《美国历史讲述者》,我们的历史,你的故事。
On Monday, May 30th, the day before an angry mob showed up at the Tulsa courthouse, 19-year-old Dick Roland had stepped into an elevator operated by a young white woman named Sarah Page. What happened next is unclear, but Page screamed and Roland fled the scene.
As soon as Page cried out, Roland would have known he was in danger. Ever since Oklahoma became a state in 1907, lynching of black residents had become more common. By 1930, 41 victims would be tortured and murdered in Oklahoma, most of them African-American. And those were just the lynchings to enter the official record, many more went unreported.
One of the leading justifications for hanging African Americans was rape. Accusations that a black man had assaulted a white woman so inflamed emotions that the evidence didn't matter. An accusation alone was enough for a black man to find himself hounded by a mob, beaten, burned, and then swinging from a treeline. Rape was also a convenient story when white men wanted to make an example of a black man.
In Greenwood, that was likely the case. Attracted by the opportunity to make a living in the oil fields, thousands of white workers had flooded into Tulsa, swelling the population. But now, following World War I, many of those newer residents found themselves unemployed, aimless, and resentful of their prosperous black neighbors. And everywhere, the Ku Klux Klan had been stoking white rage, blaming white joblessness on African Americans. In Tulsa, that envy and resentment was coming to a head.
When the crowd finally snapped, they would head to the heart of Greenwood, to its thriving neighborhood businesses and the homes of its 10,000 residents with only one thing in mind. Run the Negroes out of town. This is episode two of our four-part series on the Tulsa Race Massacre, The Powderkeg.
After he fled the Drexel Building Monday afternoon, Dick Roland had raced home from downtown Tulsa to Greenwood. In the meantime, police questioned Sarah Page, who initially claimed that Roland had assaulted her. The next morning, police had no trouble finding Roland on Greenwood Avenue, arresting him and bringing him to the city jail.
When questioned, Roland told police that he had tripped while entering the elevator and fell against Page, possibly stepping on her foot. She panicked and screamed. Later that same day, Page corroborated his account and admitted that she had overreacted, but Roland was not released. The news of the young man's arrest traveled fast and it caused a stir. Over the next several hours, tensions grew.
At about four o'clock on Tuesday afternoon, Tulsa County Sheriff Willard McCullough received a phone call warning him that a lynch mob was out to get Roland. Police decided to transfer Roland from the city jail to the courthouse, saying he'd be safer there since the county jail was on the top floor and harder to access. With this transfer, Roland and the growing mob became McCullough's problem.
Sheriff Bill McCullough was a former cowboy with an elegant handlebar mustache and a determined manner. He'd been sheriff off and on since 1910, three years after statehood, but he'd only returned to the office six months before Roland's arrest. He'd taken over from the previous sheriff, Jim Wooley. He lost his reelection bid to McCullough after failing to protect accused murderer Roy Belton, a white man from being lynched nine months earlier in late August 1920. Then a gang of thugs had grabbed Belton out of the courthouse from the very cell where Roland was now being held and hanged him in front of a rowdy crowd.
Though McCullough was a veteran law man with his poorly handled 45-calor epistle, he had a reputation for preferring to talk, not shoot his way out of trouble. More than a decade earlier in his previous stint of sheriff, he'd had to execute a convicted black man by hanging. It was about the worst job I ever had to do, he said later. And on this night, Tuesday, May 31, 1921, McCullough had no intention of losing his job over Roland, nor of letting anyone harm the young man. To prevent the crowd from getting to the prisoner, he assigned six deputies to remain upstairs with Roland, with orders to shoot to kill if any outsiders came close. Paula also disabled the elevator, one more measure to prevent anyone from grabbing Roland.
Later McCullough would identify his biggest mistake that night. I should have killed those three men, he would say. To him, making an example of them could have made all the difference. Instead, the crowd of hundreds swelled into a mob of thousands, which stayed outside the courthouse for hours.
As rumors that Roland had raped Sarah Page flew around both white and black Tulsa, the two communities responded in dramatically different ways. On the white side of town, Tulsa Tribune editor Richard Lloyd Jones reacted with vigor. The son of a prominent Unitarian minister, Jones had a flair for the dramatic. At the turn of the century, he'd been a Broadway actor, a short story writer, and later the editor of Cosmopolitan magazine.
In 1919, at 46 years old, Jones had come to town from Wisconsin and purchased the Tulsa Democrat from a wealthy friend. He changed its name to the Tribune and said about to do everything he could to increase circulation. Jones transformed the paper into a tabloid that ran a constant stream of stories about car jackings, murders, and lynchings. Because of Tulsa's lawlessness, there was no shortage of crime news to seize on.
In 1921, there were some 6,000 cases waiting to be heard at the county courthouse. And at the time of Dick Roland's arrest, Jones had been running a string of editorials castigating the mayor and the police for failing to clean up crime and so-called immorality. The word immorality was a loaded term. One that the clan had co-opted to mean everything from jazz age relaxation of sexual morays to women's independence and the mixing of races. For the clan, relationships between black and white people were the worst offences, because the clan believed in the purity of white blood. Anything that hinted of sex between a black man and a white woman implied that pure white blood would be tainted.
The KKK's presence in Tulsa wasn't widely known, though, although clan recruiters had set up shopping at downtown Tulsa office building. But the clan's philosophies were embraced by a sizable number in the white community, including Tulsa Tribune editor Richard Lloyd Jones.
As the head of the Tulsa Tribune, he echoed this kind of coded language, and his sensational headlines and shrill editorials would rapidly ampt up the Tribune circulation and would make him a wealthy man. It was no surprise then that on Tuesday, May 31, 1921, Jones seized on the arrest of Dick Roland, quickly producing a story for the afternoon paper.
According to One Eye Witness, newsboys hawk the paper on downtown corners using provocative language, emphasizing the lurid story of a negro assaulting a white girl. White passers-by quickly scooped up the paper. The article, a blend of fact and fiction, spared no melodrama.
The story said Roland had looked up and down the hall to make sure he was alone before getting on the elevator. The account of the alleged attack itself, which had no witnesses, was woven out of whole cloth. The article read, he entered the elevator she claimed and attacked her, scratching her hands and face and tearing her clothes.
The Tribune also played on the sympathies of white readers by claiming without evidence that Roland was a playboy who went by the nickname of Diamond Dick and that the young vulnerable Sarah Page was an orphan, working as an elevator operator to pay her way through business college. But that wasn't all. Many readers said they also saw an editorial in the Tribune headlined, to Lynch and Negro tonight, but the op-ed hasn't survived.
Before that issue of the paper could be preserved, someone destroyed the editorial pages of every existing copy. Within an hour after the Tribune rolled off the presses, there was talk of a lynching on the streets of Tulsa. At four o'clock, the phone on police commissioner J.M. Agkinson's desk rang.
An anonymous voice came across the line, we're going to lynch that Negro, that black devil who assaulted that girl. By Tuesday afternoon, anxiety-pervaded greenwood. It centred in the offices of the Tulsa Star, one of two newspapers, along with the Tulsa Eagle, that served Tulsa's black residence.
The news of Roland's plight had quickly reached AJ Smitherman, owner and editor of the Star. At about four o'clock, Sheriff McCullough called the Star Office to say he expected an attack on the courthouse that night. Word went out that McCullough might need help protecting Roland from the mob.
So a group of men gathered at the Star offices on Greenwood Street to hash out what to do. It would be an excruciating decision. They would have to balance courage, caution and pride. Older members of the group felt a careful strategy was needed, and they feared the consequences of an unthinking, instinctive response to the threat.
Imagine a late Tuesday afternoon on May 31, 1921, at the headquarters of the Tulsa Star in Greenwood. You've shed your coat and are in white shirt sleeves and vest. There's still a newspaper to print, and you, as editor, have a lot of work to do. But a crisis is at hand.
Your office is filled with community leaders, former soldiers, fathers, labors, young friends of Dick Rollins. They're all perched on every available chair and the edges of messy desks. OK, OK, settle down, everyone. We've known this day would come. It is imperative that we keep cool heads about us.
As you begin to speak, you eye Barney Cleaver in the corner. He's one of the only two black sheriff deputies in Tulsa, and he looks worried. I believe we must defend the young man. As I have long said, we cannot let any Tulsa citizen become a lynching victim.
Cleaver, the deputy sheriff, stands up. No, no, no. You've got an outsized idea of what we can do against these white folks. Barney, we can do this in a measured, calm way, but we must have a plan. If they'll let a white man get lynched. Why don't just chief Gustafson, McCullough, or any of them to protect a black man against a mob? They have more people than we do, more firepower, and we'll stop at nothing.
Now Barney, we have appeased for far too long and look where it has gotten us. You have five kids, AJ. What about all? What would your wife do if you were killed? We all have families, AJ. Yeah. We do all have families. And many of us have sons just like Dick. Barney, McCullough called to let us know what could happen. He needs our help and is admitting as much. We need to send men to the courthouse not in violence, but in aid. We need to protect that young man from the mob.
Around you, some of the younger men, the veterans of the war, getting fired up. They're starting to gather the things to get ready to leave. The deputy sheriff looks around, alarmed. I see many of you have made up your minds. I'll do what I can to keep the peace. But frankly, if you show up at that courthouse, I fear for your lives. And mine.
Andrew Jackson, Smitherman, or AJ, as he was known, was a publisher, father, and husband, and an affluent, highly respected leader in Greenwood. He also held strong opinions. Under his leadership, the star urged dignity, respect, and equal rights for Tulsa's black citizens. Smitherman took a stance that some considered even militant, that the black community should defend its people against white brutality with force, and if necessary, with their lives.
Smitherman was a study in contrasts. Both eloquent and elegant, he was small in stature, but he was as tough as he was articulate. Born in 1883 in Alabama, he moved with his parents to the Indian territory in 1890. At one point, he worked in a coal mine, but he followed that labor with extensive education. He attended the University of Kansas and Northwestern University, and got a law degree at Philadelphia's LaSalle University. He moved to Tulsa in 1913 and started the star. He was also active politically, at one point serving as a justice of the peace for Tulsa County.
When Roland was arrested, Smitherman feared the teenager sitting in jail was engraved danger. White jailers were known to aid lynch mobs, as in the lynching of Roy Belton just eight months earlier had proved. To Smitherman, that incident showed that no one was safe in the hands of Tulsa's white officials, let alone a black man. And he hadn't had to wait long for proof. Only a day after the Belton lynching, an angry white mob in Oklahoma City, just 100 miles from Tulsa, had easily stolen a black prisoner named Claude Chandler out of a local jail, and lynched him.
Furthermore, a thousand black Oklahoma City residents had turned out to defend Chandler, but obeyed police when they were turned away. An outraged Smitherman felt they'd failed moral cause. He penned an editorial, writing that it was the duty of lawful citizens to march to the jail, tell the jailer their purpose of their visit, and take life if they need to, to uphold the law and protect the prisoner. The Chandler event indicated to Smitherman that white leaders couldn't be trusted to protect black prisoners. But it also proved something else, that violence against black people would continue unless men of color fought back.
He had reason for hope, because he'd seen the strategy work before. In 1918, when he was Justice of the Peace, Smitherman had been summoned to Bristol, Oklahoma, to help protect a black man named Edward Bohannon from lynching. He sent a telegram to the governor, requesting help. A race riot is imminent, he stated, kindly acted once. But before Smitherman got to Bristol, 200 black farmers had gathered, determined to defend Bohannon from an even larger mob. The Bristol police chief warned the white crowd that he would shoot to kill anyone who dared harm Bohannon. He then safely took Bohannon out of town, averting the lynching.
Smitherman and his followers were convinced that appeasing lynch mobs was folly. Not only was it humiliating, but he only served to show whites that they could get away with torture and murder over and over again, without end. Smitherman, a talented poet, summed up his philosophy with this verse. They are trying to lynch our comrade, without cause in law to fai. Get your guns and defend him. Let's protect him, win or die.
At the same time, Smitherman was a highly respected leader of the community. He believed in self-defense, but was aware of the danger of simply reacting without a strategy. Other than rushing toward the mob, weapons in hand, he wanted to hear what Sheriff McCalla had to say. Other Greenwood leaders, JB Stratford and O.W. Gurley, would also weigh in.
Like Smitherman, Stratford was angry. He had achieved enormous success and had no intention of acting subservient to whites. Moreover, he had always stood up for civil rights. Back in 1912, he'd sued a railroad when he became the target of a Jim Crow law that forced him to leave his first-class railroad seat and move to a black-only car, and it was widely known that he'd almost beaten a white delivery man to death when the man insulted the color of Stratford's skin. But Stratford had sunk his life savings into the magnificent Stratford hotel, and he also owned a great deal of other property in Greenwood. Now, in his early 60s, he was one of the richest men in Greenwood. He had a lot to lose. He struggled with these contradictions in the Tulsa Star Office, first urging a reason to defend, but then saying, "if anything were to happen to Roland, I will go single-handed and empty my automatic into the mob and then resign myself to my fate."
Amidst the debate, the conflict intensified. O.W. Gurley, who along with Stratford had found it Greenwood, was almost as wealthy. So Gurley had a lot at stake, too, and he had done business with White Tulsons. In the discussions, he urged calm and offered to walk to the courthouse and carefully offer Greenwood's assistance, wanting to avoid using force. But some of the younger men were far too upset to buy their time. Their growing pride, belief and equality, and conviction in the morality of self-defense overtook the calmer older voices in Greenwood. One of them, Obey Mann, a World War I veteran who owned a nearby grocery store, was bristling with rage. He'd had enough talk. At six foot five and still as powerful as he'd been in the war, he was a natural fearsome leader. He stormed out onto the street, and the handful of fellow soldiers were right behind him. A storm was gathered.
It was seven o'clock, not yet dusk, when an initial small group of 30 men intent on defending Roland arrived at the courthouse.
当初步的30人小团队来到法院,时间是七点钟,天色还没有暗下来,他们都有意保卫罗兰。
Meet Jill Evans. Jill's got it all. A big house, fast car, two kids in a great career. But Jill has a problem. When it comes to love, Jill can never seem to get things right. And then along comes Dean. "I can't believe my luck. Whoa, I hit the jackpot." It looks like they're going to live happily ever after. But on Halloween night, things get a little gruesome.
This is where the shooting happened outside a building society in New Romney. It's thought the 42-year-old victim was killed after he opened fire on police. And Jill's life is changed forever. From Wondery and Novel comes Stolen Hearts. A story about a cop who falls in love with a man who is not all he seems to be. Stolen Hearts, wherever you get your podcasts, you can binge the entire series, add free, on Amazon Music. Download the Amazon Music app now.
It's the fall of 2017 in Rancho Tejama, California. A man and his wife are driving to a doctor's appointment when another car crashes into them, sending them flying off the road. Disoriented, they stumble out of the car, only to hear dozens of gunshots whizzing past them. This is just one chapter of a much larger nightmare unraveling in their small town.
This is actually happening, presents a special limited series called Point Blank, shedding a light on the forgotten spree killings of Rancho Tejama, where alone gunmen devastated a small town, attacking eight different locations in the span of only 25 minutes. The series follows five stories of people connected to the incident, from a father that drew the gunmen away from a local school to the sister of the shooter. These are riveting stories that will stick with you long after you listen. Follow This is Actually Happening wherever you listen to podcasts. You can listen ad-free on the Amazon Music or Wondery app.
这实际上正在发生,呈现了一个特别限定的系列,叫做《Point Blank》,揭示了Rancho Tejama遗忘的连环枪击案,仅在短短25分钟内,单独的枪手摧毁了小镇,并袭击了8个不同的地点。该系列追踪了5个与事件有关的人的故事,从一个让枪手远离当地学校的父亲到枪手的姐姐。这些引人入胜的故事会在你听完后长久留在你心中。在你听播客的任何地方关注《This is Actually Happening》。你可以在Amazon Music或Wondery应用上无广告收听。
These were greenwood neighbors who hadn't attended the meeting at the star. The feelings that defending Roland was the right thing to do had rippled throughout the neighborhood. And this group, also mostly veterans, had dawned their uniforms, grabbed their guns, and driven across town to offer help to Sheriff McCullough. When they arrived, there were at least 700 whites, men, women, and children at the courthouse, jeering McCullough, who was trying vainly to disperse the crowd.
O.W. Gurley had already made it to the courthouse. There McCullough had urged him to go home and calm down the greenwood residents, and persuade them to stay away from the courthouse. But it was too late. Gurley couldn't turn back the waves of men from greenwood. Barney Cleaver had also made it over to the courthouse. The African-American deputy sheriff hurried over to the greenwood vets.
"Boys, you're not doing this right," he said according to later court testimony. "There isn't anybody going to get that boy tonight. He's perfectly safe here. He shouldn't have done this thing for it only stirs up race trouble. Go on home and behave yourselves."
Uneasily, the veterans did as Cleaver told, maybe, despite appearances, the sheriff did have the situation under control. So they returned over the Frisco tracks and into greenwood back to their homes and families. But the trouble had only just begun. The greenwood men were not organized, and they were angry. As the first group returned home, other groups were just arriving at the courthouse.
Had they realized the situation they would encounter, they might have had second thoughts. It was almost dark, and the white mob had grown from hundreds to thousands. Like Tulsa itself, the group was economically mixed. By then Tulsa was home to some 400 oil companies, seven banks, luxurious hotels, and opera company, four train lines and restaurants and shopped for miles. It was a playground of the newly wealthy, a wash and oil money. But it was also home to thousands of poor people who had flooded into the city from all over the south and southwest, chasing work in the oil fields.
With the first world war over, demand for oil fell, and many people newly settled in Tulsa were out of work and resentful. Throughout the country, the clan played on these fears, blaming white unemployment on black economic self-sufficiency, and nowhere was that contrast greater in Tulsa where poor white people envied the wealth and success so apparent in greenwood. This resentment was also fueled by moonshine. Although alcohol had been illegal in Oklahoma even before the ratification of the 19th amendment, it was still everywhere.
The crowd had attracted rough oil workers, and many unemployed poor white people barely hanging on. By sundown at the courthouse, many were drunk. Some held open bottles in one hand and weapons in the other. Others were unarmed, but they wouldn't remain so for long. The situation was quickly growing more dangerous. On both sides of the tracks, men were roaming the streets, some urging fighting, others attempting to calm things down.
In the latter group was a young greenwood resident named Columbus F. Gabe. Gabe was heading from the courthouse to the safety of his home when he ran into some African-American veterans, three carloads of men, including some who had been at the meeting at the Tulsa Star. Gabe, who after the master-ter, would become a Tulsa police officer, jumped into the street to block their way. He threw his hands up in the air, urging them to turn around. But one of the greenwood men pointed his gun at Gabe and ordered him out of the street. Gabe stepped away from the car, his eye on the gun, and they drove on.
Back at the courthouse, a white man was also urging restraint, trying desperately to control the huge mob. He pleaded for the crowd to back down, because the black community could and would fight back. Gabe told them, falsely, that African-Americans were riding around downtown with revolvers and rifles. Rumors were flying that night, and it's possible the man believed what he said, or that he exaggerated the threat to disperse the crowd. Either way, some whites were preparing to leave.
But before they could, the three carloads of black veterans Gabe had tried to stop, pulled up, armed, and in military uniform. They marched, single-file toward the courthouse. At six foot five, Grocer Obey Man, who was leading the group, posed a formidable presence. But along with him were peg-leg Taylor, Will Robinson, Bud Bassett, Jack Scott, and many others, including those known only by their nicknames, Fattie, Chummy, and Big Fred. They met another 35 black man marching alongside the courthouse, and Sheriff McCullough was trying to reason with all of them.
He would later testify that some said they would go if he would assure them that he would not let the mob take the roll and boy. But just as one wave of black men would turn to leave, another group would appear, and McCullough found himself surrounded by greenwood residents, all talking and arguing at once. And as in the white mob, some of the black men had been drinking.
Imagine it's 930 Tuesday night. You've just pulled up outside the courthouse in your model T, with a posse of men from Greenwood. Your plan is to reason with Sheriff McCullough, and you're ready to pull a trigger if you need to. You got used to that in France, and you also got accustomed to being respected by the French citizens and soldiers. But it's been starkly different since you returned home from the war.
想象一下,现在是星期二晚上 9:30。你刚刚开着你的 model T,跟来自 Greenwood 的团队停在法院外面。你的计划是跟警长 McCullough 进行谈判,如果需要的话,那你就准备动用枪支。在法国,你已经习惯了这样的事情,也习惯了法国居民和士兵对你的尊重。但是自从你从战争归来以后,情况就非常不同了。
You're tall enough so that you can see above the enormous crowd, and once you see alarms you. Not just the size, but the fury, the weapons, the open bottles of booze, it's a powder cake. Come on boys, let's go talk to the sheriff. You lead your group through small crowds of your neighbors and friends, toward Sheriff McCullough, the only white face in the sea of dark ones, still fair bit from you. You want to make your case that he needs the protection you soldiers can give to keep Dick Rowland safe. If you could just get over to the sheriff to talk.
But suddenly, a white man, about 5'6", appears in front of you and plants his feet. He's not going anywhere. You're a foot taller than he is, much stronger. But that doesn't stop him from addressing you in an old, familiar way. Are you going with that weapon boy? I'll use them if I have to. Like hell you will, give it to me. He reaches for your pistol, you trick it away. He grabs your arm. The crowd seems to crush in on you. Man's eyes, intent, and furious. You'll think back on this moment for the rest of your life, and you're still not sure what happened. But you know for sure what happened next.
Sheriff McCullough would testify later that the sound of the gunshot was just like throwing a match in the powder can. Near him, Black Veterans began shooting. Surrounded by African American men offering their help in protecting Rowland, McCullough's first thought was that the white mob would immediately begin shooting back toward the Black crowd he was in, so he dove for the sidewalk. When he got up, the streets cleared, the crowds having fled the gunfire. But a body-layed dying near the courthouse under a billboard of smiling movie star Mary Pickford.
Chaos followed the initial killing with people shooting and running throughout downtown. In short order, a dozen people laid dead on the streets near the courthouse. Though many were armed, hundreds in the white mob didn't have guns, but wanted them. Here in the evening about 400 whites had tried to break into the National Guard Armory, but Major Jason Bell had stopped them, stationed in guards around the building and one on the roof. Without access to the armory's weapons, the white mob now ransacked downtown pawn shops, hardware and sporting goods stores, looking for firearms. The sound of breaking glass shattered the night as they destroyed store windows. Some stores trying to avoid the destruction voluntarily opened their doors to the mob.
The white rioters, including hundreds who had been drinking all night, quickly grabbed every gun and box of ammunition in town. For getting Dick Roland, still secure in his county jail cell, and now turning to fight what they believed was a negro uprising.
When the shooting began, it seemed to be everywhere at once. The police force was wholly unprepared. For some reason there were few police officers on the street that night. The normal patrols were missing. The white lapse was part of a broader pattern of actions, either intentional or due to incompetence, that would eventually see police chief John Gustafson convicted for neglect of duty.
Gustafson had just been appointed to his position the previous year. He had a dubious history. Sheriff McCullough despised him. Shortly after Gustafson's appointment, McCullough complained to the city commissioner about the new police chief's decades-long involvement with snitches and crooks. McCullough diarly predicted that Gustafson would be counted on to hire that same class of people as his new police officers. And McCullough was right.
Only two weeks before Roland was arrested, the city had concluded an investigation into the force, prompted by numerous complaints of ineptitude, sexual abuse of female prisoners, and corruption. Officers were known to confiscate illegal alcohol and either use it themselves or sell it sometimes to their prisoners. The investigation went nowhere, though, and a Tulsa-World newspaper headline in May had reported impeachment of police falls flat.
But perhaps Gustafson's worst violation of law and order had come earlier when Roy Belton was lynched. A line of hundreds of cars had followed the mob out to the remote location where Belton was to be hanged. Rather than trying to stop the vigilantes and save Belton, Gustafson had directed traffic. After the murder, Gustafson said he didn't condone mob law, but he added, it is my honest opinion that the lynching of Belton will prove of real benefit to Tulsa and vicinity.
At the courthouse, on the night of May 31, Gustafson checked in a few times. When the shooting started, he didn't question the mob's conclusion. A black uprising was happening and it had to be quashed. Gustafson deputized approximately 500 white men on the spot. They were given badges and arms. Gustafson relied upon his gut feeling and little announced to choose his new deputies. He would later say, I talked to the men and those I thought would remain cool headed, I commissioned.
Notably all of his emergency commissions were given to white men. As NWA CP executive secretary Walter White later said in a report about the riot, they could have been thugs, murderers, escape felons, or a member of the mob itself. The police did refuse to commission at least one man, a 26 year old white bricklayer named Laurel Buck.
They didn't give him a badge, but they did give him instructions. Get yourself a gun, get busy and try to get a Negro.
他们没有给他徽章,但是他们给了他指示。拿一把枪,忙起来,试着找到一个黑人。
Imagine it's about dusk on Tuesday, May 31. You turn away from your bedroom door and gaze at your stunning new prom dress lying on your bed. This silk, the first evening dress you've ever owned, made custom for you by Betty Williams, the best seamstress in Greenwood. It has a tight bodice and a huge taffit of skirt. You love how it rustles when you walk in it.
Mama, it's time to start getting ready. I'm going to need a hand with all these buttons. You can just imagine how the dress will move when you and Verbi dance together tonight. And not in some old high school gym, no, the Stratford Hotel, one of the finest hotels in the whole country, right here in Greenwood.
Your mother appears at the door, balancing your little brother willy on her hip. "Vines, you don't want to get in that dress right now. You'll get it all sweaty. Fix your face first, get your stockings on and your jewelry." You step lightly over to your dresser and pick up a length of pearls. "Oh Mama, I haven't shown you yet. I just picked these up from Betty. She lent them to me for tonight. Aren't they stunning?"
"They are, but you have to be careful with those. They need to go right back to her in the morning."
他们是,但你必须小心处理。它们需要在早上立即归还给她。
"Mama, of course I will. Look at the window." You freeze in shock, dropping the pearls. "Mama, what is that?"
妈妈,当然我会。看窗户。你惊讶地僵住了,掉下珍珠。妈妈,那是什么?
"Oh, Lord, honey, I don't know." Your mother shrinks away from the window, the comers willy's head as best she can. "Something bad is happening. You leave that dress there and come with me."
"Now, baby, now." You follow your mother downstairs to the kitchen. Your younger siblings come running to clutching at you and your mother. Willy has begun wailing and your mother instinctively hushes him. Through the doorway into the parlor, you see your father grab his gun from over the mantle, bound out the back door.
"Quiet, baby. You need to be quiet." Outside you hear running, yelling, and gunshots. It sounds like a war. You pick up four-year-old Lily and squeeze her tight as your heart races. After a long two minutes, the door opens again. It's your father. "There's a race ride. It's time to go."
It takes you a minute to grasp what he's saying - that you have to leave your home and flee Greenwood to escape the dangerous white men outside. But no one moves until the sounds of the yelling fade. It seems they have moved on. Now, it's time to run. Venese Sims and her family dashed into her father's black Ford, and drove north out of town, in a line behind many other cars also escaping the violence. The perfect dress, shoes, and shiny pearls had to stay behind, along with her dreams of dancing in the grandeur of the Stratford Hotel. In the backseat, with Willie perched on her lap, Venese Sims wept.
The Sims family was able to get out of town to safety that night, but that wasn't the case for many Greenwood residents. Some, who have been watching a movie at the Dreamland Theatre, walked out into the street when the film ended and found themselves inexplicably being shot at. But only some of the white mob had come to Greenwood. Others had run back to their home from the courthouse to pick up weapons. Others were scouring guns from downtown Tulsa hardware stores, pawn shops, and even the police station.
In downtown Tulsa, in Greenwood's business district, and here and there on residential streets throughout Greenwood, it was chaos. Only after the pistol shot at the courthouse that marked the beginning of the rioting, Columbus gave the soon-to-be Tulsa police officer and gone back out onto the streets to see what was happening. He wanted to do whatever he could to keep the peace. He soon realized how impossible that was. Hearing a shot, Gabe saw a man fall. Terrified to be out in the open, he began running as fast as he could.
Several Greenwood residents were taking cover in a big metal boiler and Gabe hid behind it. The white men were hunted down in the Frisco train depot on the border between the white and black sections of town. A white person would shoot toward Greenwood and someone hiding in the boiler would shoot back. Soon the ting of bullets hitting metal was coming often. Intermittently Gabe heard someone yell, run out from the depot or the boiler, and pick up an injured man.
In the midst of this standoff, Gabe saw one white woman lean out of the window of a car, point a weapon at an unarmed black man in the street, and shoot him. Hearing enough, Gabe ran toward his home. As he did, he saw white men on Boston Street in Greenwood, holding lighted torches aloft. They were heading toward two vacant shacks that sat near the train tracks and set them on fire. Later Gabe would realize that this was just the beginning of the burning.
At midnight the fire department arrived to put out the fires, but the white mob, guns drawn, wouldn't let them. The firefighters left and came back an hour later. By then the first shack had burnt to the ground, but the second was still standing. Once again the mob threatened the firefighters away from the fire, and the roaring flames continued to burn.
In the deep Greenwood business district, three to four hundred black men were roaming around armed with whatever they could get - guns, sticks, stones. People, mostly black, began falling in the street, dying where they lay.
But soon some order began to be imposed, as the black veterans realized they were in a war, a battle that felt familiar. As they had in France, they took up defensive positions and buildings along the railroad tracks.
In the bell-free of the just-completed Mount Zion Baptist Church in their homes, more former soldiers donned their uniforms, even their helmets, and they pulled out weapons they brought home from the war, aiming their long-range windchesters at the riders. They were fighting fiercely, giving as good as they got. They would later say that until the events of the following day they were winning.
Still as the night wore on, Greenwood men were driven back into their neighborhood, until finally the fighting was confined there. By midnight a new intention of the armed mob became clear to trap black Tulsons in their neighborhood and kill as many as they could, and not just men, but women, children, old people.
Sixty to seventy white drivers fell into an organized line that began driving slowly and menacingly around the circumference of Greenwood. But as May 31st ended and the new day began, the sound of gunfire rattled through the streets. Some Greenwoods men continued to defend their neighborhood, even as others and their families fled to the small towns to the north, some grabbing whatever possessions they could. Others leaving barefoot with nothing.
They'd all assumed they'd come back, probably within hours or days. Some were right. Others never returned. Forts on American history tellers, former soldiers tried to defend Greenwood against white Tulsons armed with torches, machine guns, and airplanes.
The life of the best black surgeon in the country is threatened, and thousands of African Americans are sent to internment camps while city leaders plan their next moves. From under 8 this is American history tellers.
In history tellers is hosted, edited and produced by me, Lindsey Graham for Airship. Sound Design by Derek Barons. This episode is written by Elaine Ableton Grant, edited by Dorian Marina, edited and produced by Jenny Lauer-Packman. Our executive producer is Marshall Lewey, created by her non-low pass for wandering.