So I basically spent an entire day trying to buy tickets to the Taylor Swift era's tour. And like millions of other people, I had a terrible experience doing it. How do you f*** up this badly? You knew this was coming, you knew how many people signed up for presale. Ticketmaster site wasn't equipped to handle all the demand and just kept crash.
People waited in the presale queue all day, only to get kicked out again. A few lucky people finally got to the front of the line, had tickets in their car, and then kicked out and had to start all over again. This happened to me. If you went through all this, you kind of know it was like playing the world's worst video game. And the prize for winning was getting to pay outrageous ticketmaster fees. Now the weird thing about this is that this is far from the first time that ticketmaster has failed in this way.
Everyone's unhappy with ticketmaster, but it still controls over 70% of the market for ticketing. In fact, it's had over 80% of the market for primary ticketing. That's the first sale of tickets since 1995. So how did ticketmaster become the dominant market leader when it's frustrating and loaded with exorbitant fees at best and utterly incompetent at worst?
The answer, of course, is Ronald Reagan. This is DeCoder. We've got a special episode today. We're diving deep on Taylor Swift, ticketmaster, and how a handful of policy changes in the 1980s led to one firm so thoroughly dominating the live events of business in the United States. That Congress held a hearing in 2023 because Taylor Swift fans were so upset about antitrust law.
Here's a really simple version. In 1890, Congress passed the Sherman Antitrust Act, and President Theodore Roosevelt ran around using it to break up a bunch of monopolies. In 1914, Congress clarified the Sherman Act with the Clayton Act, which specifically prohibits anti-competitive mergers. And up until the 80s, this was all working. The government was pretty aggressive about breaking up monopolies.
But in 1978, law school professor Robert Pwork writes a book called The Antitrust Paradox, which essentially says we've been doing antitrust all wrong. His argument is that big companies often become big because they're good at what they do. And because being so big makes them efficient, that means people will eventually pay lower prices.
Now, here in 2023, I think we all know how well that worked out, but put your mind back in 1978. This idea is like exciting and fresh. So Bork says a company shouldn't be broken up just because it's big. And antitrust law should actually protect companies who win in the market and become big based on their superior ability. So Bork proposed a new approach to antitrust law, which he called the Consumer Welfare Standard. He said that courts and federal agencies like the Department of Justice and the Federal Trade Commission should look out for the consumer welfare, which he mostly measured by prices.
What that means for us is that unless a monopoly causes an increase in prices, it's okay. And that's the Bork philosophy. Let the big businesses get big and stay big as long as they don't harm consumer welfare. In 1979, the Supreme Court decides a reader versus sonnetone. In that decision, the court officially endorsed Bork's claim that Congress had actually intended to adopt the Consumer Welfare Standard when it wrote the first antitrust law in the 19th century.
Again, the Consumer Welfare Standard is not actually in these laws. Bork just managed to convince everyone that he could read Teddy Roosevelt's mind. And this is what old Teddy bear wanted. It's kind of incredible. Anyway, Bork and the Chicago School are in vogue from the 1980s on. And really, they're still how we think of antitrust law today.
In 1980, Ronald Reagan is elected president. Reagan and his team are big fans of Robert Bork in the Chicago School. Well, as that matter, here's Sundeep Fahecin, legal director at the open market since the two. President Reagan was really a key figure in the history of antitrust. He remade antitrust in some major ways by doing two things. First, he appointed Chicago School lawyers and economists to leave the Department of Justice and Federal Trade Commission, which are the two main public enforcers of federal antitrust law. These officials had a very different view of antitrust than their predecessors. By this point, the Supreme Court has already started adopting Bork's ideas. They believed antitrust should be exclusively about consumer welfare, which they described as low prices, high output.
Second, they adopted a new set of economic assumptions about different business practices. For example, mergers and acquisitions were historically seen as principally a way of concentrating power and fewer and fewer hands, and generally not producing any offsetting public benefits. Reagan administration flipped that and said, actually mergers are generally good. So, Bork actually cast such a spell on Reagan that Reagan actually nominated him to be on the Supreme Court. And that nomination failed, in part, because Bork's videotape rental history was leaked to the press, which eventually led to a federal law making your video rental history private. This is true. It's also where the term Bork comes from, the 80s.
Tick-A-Master was started in 1976, but the modern era of Tick-A-Master kicks off in 1982. That's when the Pritzker family acquires a dominant stake in Tick-A-Master. They become the dominant shareholders and bring in a new CEO named Fred Rosen, and the company focuses on software for the computerized Tick-A-Business. His sales team went around to all of the venues and said to them, what would you think if we doubled the service fees? And they said, why would we want to do that? It's going to discourage people from buying tickets. And what Tick-A-Master said was, well, if we do it, we'll share the revenues from this new elevated service fee. This fee sharing arrangement is how Tick-A-Master is able to compete with its main competitor at the time, a company called Tick-A-Tron. It starts poaching Tick-A-Trons of Enu clients, and by 1991, Tick-A-Master just goes ahead and acquires Tick-A-Tron. So when Tick-A-Master acquired Tick-A-Tron, they would direct competitors to win the same industry and hence that is a form of horizontal integration. Did you hear that concept? When a company buys a direct competitor, that's called horizontal integration. This is important because later, Tick-A-Master is going to use some vertical integration as well, but we'll get to that.
There's immediately a strong concern about abuse of market power. Does this eliminate competition, and whenever we have elimination of competition, that may harm consumers because suddenly there's not another competitor around who could lower prices, who could offer better service, who could offer better quality? Okay, so now it's the mid-90s. In 1995, Tick-A-Master.com launches. And throughout the rest of the 90s and early 2000s, Tick-A-Master slowly gains more and more power. It launches in an increasing number of countries around the world and inks partnerships for Ticket Resil with the NFL, the NHL, and the NBA. It even tickets the Olympics. In 2001, Tick-A-Master strikes a deal with Clear Channel Entertainment, which is now called Live Nation, to ticket their events. Clear Channel, or Live Nation, by this time was becoming America's largest concert promoter.
That's the marketing for a concert, basically filling seats. But Live Nation also owns and manages the concert venues. So it really owns the whole live event pipeline. And in the 2000s, as Music Piracy upends the industry, big artists start signing massive exclusive deals with Live Nation. So by 2007, Live Nation has a bunch of exclusive deals with huge artists, ownership of most major venues, and a lock on the concert promotion business. So then they did the next natural thing. They started working on a ticketing business to compete with Ticket Master.
So that brings us to 2010. And now it's time to talk about vertical integration, which gets even less scrutiny than horizontal integration. Here's for you. And then the extreme case, of course, is a vertical monopoly where at all points of the value chain, there's only a single provider. And so that would of course give that player a tremendous amount of market power because not only are they the only seller, but they also the only buyer, and they're controlling all of the inputs that are happening along this value chain. 2010, Ticket Master and Live Nation decide to merge and form live nation entertainment.
So Ticket Master, which sells tickets, decides to merge with Live Nation, which owns venues and puts on and promotes concerts. A lot of people think this created an unfair vertical monopoly, and the deal should have been stopped by the Obama administration. A handful of states actually sued over the Ticket Master Live Nation deal as did the Justice Department. In order for the deal to go through, Ticket Master promised the Department of Justice it wouldn't do anything anti-competitive. It was basically just a pinky swear. It's pretty hard to enforce. The company was forced to sell one of the toldings, another Ticket company to a rival firm, and it promised to license its ticketing software to another rival called AEG, which is a big promoter and competitor to Live Nation.
The terms of the Live Nation merger established by the DOJ lasted until 2019 when they were reviewed. We talked about that with Dean Budnik. And in 2019, the government decided to renew that consent decree, essentially giving permission to this merger, and there hadn't been a dramatic change in terms of market dominance by Ticket Master between those two periods of time. So at least the Department of Justice has examined this issue twice, but on two separate occasions, the government has opted not to step in and do anything.
So that brings us to today. Ticket Master and its parent company Live Nation Entertainment dominate the market for live concerts. Live Nation's dominance of ticketing and promotion has allowed it to shut out competitors. Jack Grovesinger, the CEO of SeatGeek, talked about this at the January hearing as well. He claimed that when venues switched to SeatGeek or another Ticket Master competitor for the ticketing, Live Nation, which controls the artists and their promotion, stops giving concerts to those venues.
One case, the a Live Nation president told the venue that they would quote unquote go nuclear if they left. So the threat is real, it's been documented, it happens. With Ticket Master's growing dominance and lack of meaningful competition, Ticket prices and the fees that accompany them have drastically increased. Where this could see even deeper is that lots of people resell their tickets. And Ticket Master has a big chunk of that market too.
If you try and use another service like StubHub to buy a ticket that Ticket Master originally sold, you still need to have a Ticket Master account and enter their ecosystem. So now they have your data even if you didn't want to interact with them in the first place. A couple of senators at the hearing also had some thoughts about how to regulate Ticket Master into working better. Basically the government redesigning Ticket Master to make it friendlier for consumers. I guess that's one way to do it.
The other way is to have a more competitive market. SeatGeek is another primary ticketing site that has struggled to compete with Ticket Master. Ditto for Event Right and StubHub. In our reporting for the story, we also talked to Russ Tannen, president of DICE, a venture-backed Ticketing startup. DICE has made its ticket non-transferable. There's a QR code with your ticket that appears right before the event to prevent scalping.
But in a functional market, some artists would choose to use DICE's system that doesn't allow resale. Someone used TicketGeek and some would still use Ticket Master. And all of them would compete to build the fair system that made fans the happiest. Without that competition, a lot of the things that Ticket Master would have to do to not suck requires the company to make decisions that no publicly traded company with a responsibility to its shareholders could reasonably make. Ticket Master would have to increase the cost of app development and servers while limiting the profits from all those fees.
And that's just not going to happen unless something makes it happen. And that means there's only two choices. We can accept the Ticket Master as a monopoly and have a bunch of weirdos in Congress trying to regulate it directly. Or we can figure out how to inject some more competition into the market so Ticket Master makes better choices just to stay in the game. See, it would work and Reagan didn't think about when they re-wrote Antitrust law is that when companies get so big they have no competition. They have no more incentive to be good.
What they do. The new chair of the Federal Trade Commission is named Lena Kahn. She's written it length about the problem with Bork's approach. The current framework in Antitrust, the consumer welfare framework really fails to capture forms of market power and forms of dominance that should be relevant to Antitrust and do raise competition concerns. And there are other glimmers of help under the Biden administration. We're seeing some positive signs.
I think the Department of Justice has made reigning an employer power a key part of its enforcement program. They've gone after many managers and firms for engaging in wage fixing, no higher agreements, no poach agreements. But all that's easier said than done. Under Commissioner Kahn, the FTC has aggressively gone after Big Tech. But its first attempts at lawsuits have been busts. The court keeps knocking them down because they're just not agreeing with Kahn's new version of Antitrust. They're stuck in the consumer welfare standard.
There's another problem of tack going on over at the Biden Justice Department, which is investigating Ticketmaster and Live Nation, seemingly asking whether Live Nation Entertainment is a monopoly after all.
Senator Klobuchar nudged the Justice Department to take action at the hearing. I know you, Ms. Bradyish, talked about this idea of spinning off companies. We've all seen that as a remedy that would most likely be coming from the Justice Department.
So all we can do here is put forward the evidence and these are sworn testimonies back and forth under law so that the Justice Department can look at this discussion. It seems like all this pressure forced Ticketmaster to at least do a little better with Beyoncé's upcoming tour.
But the underlying problems are all still there. So we'll see if the Swifties can push the Department of Justice into breaking up Ticketmaster and Live Nation. Anything's possible. And we'll see if Congress does anything to update our Antitrust laws.
But in the meantime, the question we should all be asking ourselves is, do we want to live in the borg Reagan world of weird regulated monopolies, or do we want these companies to actually compete?
I should be the king of America. Let's just go up a little bit more. There's our end to court.
我应该是美国的国王。让我们再往上走一点点。那里是我们的终点法院。
The Patel. Hey everybody, this was the short video version of this episode of Decoder that's a podcast I host. If you want the full episode, go anywhere you get your podcasts and look for Decoder.